Subscribe - enter your email below

Saturday, August 30, 2014

ROUTES & BRANCHES  
featuring the very best of americana, alt.country and roots music
August 30, 2014
Scott Foley

This Episode marks possibly the first time in my radio history that I didn't debut a new CD.  Lots of forthcoming stuff we're just getting to know (Lucinda Williams, Pine Hill Haints, Holy Ghost Electric Show), but nothing I've not at least dipped into before.  Still, I stand back and admire it, like a man who has just mowed his lawn might admire his fresh cut grass, and I like what I see.  This week, I moved my entire collection of americana music onto some roomier new shelves in the basement.  Just being able to alphabetize everything, to touch every CD, I came across some great stuff I'll be sharing over the next couple weeks. 

In the meantime, let's talk Ryan Adams, probably the patron saint of Routes & Branches, at least in terms of contemporary artists.  Since his unsurpassable 2000 solo debut,  Heartbreaker, it seems he has spent his career trying on new personae.  From Gold's blue jean rocker to his Grateful Dead period with the Cardinals, most notably on the double CD Cold Roses.  He's been an enfant terrible, a punk, a casualty and Pitchfork's favorite whipping boy.  Finally, with his new self titled album, Ryan Adams might be settling down to be ... Ryan Adams.  To be fair, this period probably began with 2011's Ashes & Fire, a record that came across as so effortless, so unpretentious some wrongly wrote it off as simply a dull collection.  A notoriously prolific writer, Adams can be a peerless lyricist at his best moments.  Remarkably, however, both Ashes and this new CD abandon any verbal dazzle and simply embrace the vernacular.  "Nothing much left in the tank / Somehow this thing still drives / Like it forgot what it needed."  A+ for imagery, but a far cry from Be my winding wheel.  Which isn't by any means to complain, but rather to celebrate a Ryan Adams who is seemingly comfortable and confident in his musical skin.  Songs like "Tired of Giving Up" simmer, but even the roots pop gem "Gimme Something Good" takes its sweet time rising to an indelible chorus.  Who knows if reported domestic bliss or relative health have brought Adams happiness:  "There ain't no one inside / Staring through the screen / Looking back at my fucking life"  Who knows.  Lines can be drawn between distinct stages in his career.  For now, this stuff is sweet.  Like Ashes & Fire, it is effortless. 


*  Jolie Holland, "Love You Save"  Wine Dark Sea  (Anti, 14)
*  Frazey Ford, "You Got Religion"  Indian Ocean  (Nettwerk, 14)
*  Be Good Tanyas, "In Spite of All the Damage"  Chinatown  (Nettwerk, 03)
*  Jonah Tolchin, "Midnight Rain"  Clover Lane  (Yep Roc, 14)
*  Whiskey Shivers, "Pray For Me"  Whiskey Shivers  (Self, 14)
*  Pine Hill Haints, "Galaxy Buffalo"  Magick Sounds of ...  (K, 14)
*  Greensky Bluegrass, "Burn Them"  If Sorrow Swim  (Thirty Tigers, 14)
*  Caroline Rose, "Time Spent Money Grow"  I Will Not Be Afraid  (Little Hi!, 14)
*  Ryan Adams, "Tired of Giving Up"  Ryan Adams  (PaxAm, 14)
*  Mando Saenz, "Pocket Change"  Studebaker  (Carnival, 13)
*  Cory Branan, "No Hit Wonder"  No Hit Wonder  (Bloodshot, 14)
*  Lucinda Williams, "Stowaway In Your Heart"  Down Where the Spirit Meets the Bone  (Hwy 20, 14)
*  Pieta Brown, "Painter's Hands"  Paradise Outlaw  (Red House, 14)
*  John Hiatt, "Marlene"  Terms of My Surrender  (New West, 14)
*  Paul Thorn, "I Backslide On Friday"  Too Blessed To Be Stressed  (Perpetual Obscurity, 14)
*  Justin Townes Earle, "Time Shows Fools"  Single Mothers  (Vagrant, 14)
*  Hurray For the Riff Raff, "Body Electric"  Small Town Heroes  (ATO, 14)
*  Holy Ghost Electric Show, "Tin Man"  Great American HGES  (This is Amer Music, 14)
*  Hearts of Oak, "New England"  New England  (Deer Lodge, 14)
*  Sons of Bill, "Bad Dancer"  Love & Logic  (Thirty Tigers, 14)
*  Shovels & Rope, "Mary Ann & One Eyed Dan"  Swimmin' Time  (Dualtone, 14)
*  Tim Barry, "Bozeman"  28th & Stonewall  (Suburban Home, 10)
*  Blitzen Trapper, "Working On the Highway"  Dead Man's Town  (Lightning Rod, 14)
*  Israel Nash, "Rain Plans"  Israel Nash's Rain Plans  (Loose, 14)
*  Christopher Denny, "Radio"  If the Roses Don't Kill Us  (Partisan, 14)
*  Shelby Lynne, "Gotta Get Back"  I Am Shelby Lynne  (Island, 00)
*  Matt Hillyer, "Dancing With the Moon"  If These Old Bones Could Talk  (Run Up Tree, 14)
*  Denver, "Rowdy Love"  Rowdy Love  (Mama Bird, 14)

No comments: