a home for the americana diaspora
July 11, 2015
Scott Foley
Mainstream media types are touting Kacey Musgraves as a gutsy antidote to what passes for today's mainstream country. Bottom line as I see it: Musgraves' apple doesn't really fall too far from that mainstream tree. More about her new Pageant Material record below. For now, just know that the knowledge and awareness of those media types can be pretty limited. They need only cast their radar a bit wider to discover smart, articulate female country artists like Jamie Lin Wilson or the Honeycutters' Amanda Anne Platt who aren't on those Big Labels, but who are truly among the iconoclasts of their sort of music.


And the good news is that there's nothing wrong at all with the one that's garnering all the attention. On her sophomore release, Kacey Musgraves is a masterful writer who knows exactly what musical buttons she's pushing. The quasi-rap moments, the litany of more-country-than-thou ingredients, those disarmingly clever turn of phrase that hold up entire songs. Musgraves even knows when to drop a sly reference to weed or tolerance of alternative lifestyles, the stuff that largely defines her as an edgy fringe dweller in the uber-conservative bubble that mainstream country has become. It's exactly this wily poking of the beloved mainstream box that identifies her as a really good writer. Beyond that, Pageant Material impresses with its overall ease of delivery. Where chart humping acts like Florida Georgia Line or Eric Church (who I do respect as a writer) rely on the flash and boom of over-the-top production and desperate performance, Kacey Musgraves comes across as supremely confident and even relaxed, never in a hurry to drop her chorus or push the needle beyond the red.
I'd hazard a guess that the genre's legends like Loretta, Tammy or Dolly would cast their votes with Wilson, Platt or even Musgraves as successors to their awesome lineage before acknowledging the work of country "crossover" successes like Taylor Swift or Miranda Lambert. As you might have recognized, I'm no purist. I appreciate irreverence as much as the next music snob, but acts like Sturgill Simpson or Chris Stapleton can challenge the country traditions without absolutely making a mockery of it. As a pretentious and opinionated blogger, I would challenge reviewers with 100 times my audience to do their job and extend their collective awareness to encompass truly deserving artists like Jamie Lin Wilson and Amanda Anne Platt. Let's not pretend that our best and brightest artists are the ones who rise to the lofty levels of popular awareness upon piles of promotional money and Big Label boostering.
* Fox St., "Justified" Authentic Western Style (Fox St, 15) C
* Anderson East, "Find 'Em Fool 'Em and Forget 'Em" Delilah (Elektra, 15)
* Revivalists, "Wish I Knew You" Men Amongst Mountains (Wind-Up, 15)
* Leon Bridges, "Twistin' and Groovin'" Coming Home (Capitol, 15)
* Jason Isbell, "Children Of Children" Something More Than Free (Southeastern, 15)
* Jessica Lee Wilkes, "Grooves Too Shallow" Lone Wolf (Free Dirt, 15)
* Danny & the Champions Of the World, "Sound Of a Train" What Kind Of Love (Loose, 15)
* Kent Goolsby & Gold Standard, "Beast Of Bourbon" No Substitute For Handsome (TOY, 15) D
* Mike Coykendall, "East Of Cheney" HalfPastPresentPending (Fluff & Gravy, 15) D
* Steelism, "the Serge" The Drawing Room, Vol. 1 (Intoxicating Sounds, 15) D
* Kasey Chambers, "I'm Alive" Bittersweet (Sugar Hill, 15)
* Chuck Ragan, "Justice and Fair Shake" Kindred Spirit (SideOneDummy, 15)
* Lee Barber, "Coffee At Night" The Missing Pages (Lee Barber, 15)
* David Ramirez, "Harder To Lie" Fables (Sweetworld, 15)
* Richard Thompson, "Fork In the Road" Still (Deluxe Ed) (Beeswing, 15)
^ Honeycutters, "Jukebox" Me Oh My (Organic, 15)
* Banditos, "Golden Grease" Banditos (Bloodshot, 15)
* Whitey Morgan & the 78s, "Still Drunk Still Crazy Still Blue" Sonic Ranch (El Paso, 15)
* Legendary Shack Shakers, "Fishwhistle Boogie" Believe (Yep Roc, 04)
* Warren Haynes w/Railroad Earth, "Company Man" Ashes & Dust (Concord, 15) D
* Hip Hatchet, "Hold You Like a Harness" Hold You Like a Harness (Hip Hatchet, 15)
* Milk Carton Kids, "Shooting Shadows" Monterey (Anti, 15)
* Nathaniel Rateliff & Night Sweats, "I Need Never Get Old" Night Sweats (Stax, 15) C
* State Champion, "There Is a Highlight Reel" Fantasy Error (Sophomore Lounge, 15)
* GospelbeacH, "Sunshine Skyway" Pacific Surf Line (Alive Naturalsound, 15) D
* Beachwood Sparks, "Tarnished Gold" Tarnished Gold (SubPop, 12)
* Lera Lynn, "A Church In Ruins" True Detective (Harvest, 15) D
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