LOOKBACK MACHiNE: Gillian Welch & David Rawlings

ROUTES & BRANCHES

featuring the very best of americana, alt.country and roots music

August 26, 2026

Scott Foley, purveyor of dust

We're continuing to dabble in the pantheon this week, assessing the songs of some of the more prominent and mainstream artists in our kind of music. For this Episode, we're celebrating the essential collaborative genius of Gillian Welch and David Rawlings. 

Upon its 1996 release, Revival hit like a hammer, Welch's ages-old voice and timeless songs creating such an immediate impression, like a record we'd known for years. Along with Hell Among the Yearlings and 2001's Time (the Revelator), Gillian Welch and David Rawlings were responsible for arguably one of the most impactful three-record runs in the history of our kind of music. The sheer quantity and quality of the duo's music during this time only became more evident with the 2020 unearthing of the Boots volumes, featuring a treasury of unreleased numbers. While these were termed outtakes and demos, much of the music in that box was as good as anything from the proper LPs. 

Nothing was included in our list from 2020's All the Good Times, a collection focusing on covers and trad cuts. We also chose not to include anything from Rawlings' own solo work, even as his contributions under the Gillian Welch name are essential. 

GiLLiAN WELCH & DAViD RAWLiNGS: thirty favorites

- "Orphan Girl" Revival  (1996)

- "Paper Wings" 

- "Tear My Stillhouse Down"

- "Acony Bell"

- "Caleb Meyer" Hell Among the Yearlings  (1998)

- "My Morphine"

- "I'm Not Afraid To Die"

- "Revelator" Time (The Revelator)  (2001)

- "My First Lover"

- "Dear Someone"

- "Elvis Presley Blues"

- "Everything Is Free"

- "Look At Miss Ohio" Soul Journey  (2003)

- "Wayside/Back In Time"

- "Wrecking Ball"

- "Way It Goes" Harrow & the Harvest  (2011)

- "Hard Times"

- "455 Rocket" Boots No 1: Official Revival Bootleg  (2016)

- "Wichita" 

- "DryTown"

- "Strange Isabella" Boots No 2: Lost Songs Vol 1  (2020)

- "Valley Of Tears"

- "Rambling Blade" Boots No 2: Lost Songs Vol 2  (2020)

- "Hundred Miles" 

- "I Just Want You To Know"

- "Sin City" Boots No 2: Lost Songs Vol 3  (2020)

- "City Girl" 

- "Peace In the Valley" 

- "Empty Trainload Of Sky" Woodland  (2024)

- "Hashtag" 

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To enjoy any Spotify ROUTES-cast, just open Spotify and search for "routesandbranches" to access this most recent playlist, as well as many others from past months.  Or click here for a preview:

IF YOU ONLY LiSTEN to ONE RECORD THiS WEEK (August 25, 2026)

ROUTES & BRANCHES

featuring the very best of americana, alt.country and roots music

August 25, 2026

Scott Foley, purveyor of dust

The heck with this week. Has anyone taken a look at NEXT week's release calendar?! New full lengths on the way from (deep breath) Alabama Shakes, Dogwood Tales, Fruition, Jayhawks, Mama's Broke, Riley Downing, Son Volt and more! We'd be happy and justified in writing about any one of those. And that's just the stuff we know about, not to mention any unexpected surprises. 

Okay, so this week we gave some consideration to new projects from Brennan Wedl, Squirrel Flower, and Wild Pink, before deciding that our time would be best spent on Lambchop. 

IF YOU ONLY LiSTEN to ONE RECORD THiS WEEK

A couple years ago we visited a nearby record store for the first time. Just for the sake of orientation, we asked if they had anything from Lambchop. The person at the counter responded, You mean the little puppet? No. No sir, we do not mean the little puppet. 

Lambchop deserves better. Kurt Wagner has spent more than thirty years challenging our expectations of qualities such as beauty, normalcy, roots, and outsider. Early projects found Lambchop lumped in with the mid-90s alt.country bin, at best an exceptionally loose assessment. Increasingly, Wagner was experimenting with folk, soul, and studio manipulation, cloaking his typically simple songs with beats and interesting digital backdrops. Even if albums weren't always entirely successful, nobody could accuse Lambchop of being dull. 

After so many years fiddling in the studio, Punching the Clown arrives as the most refreshingly normal project Kurt Wagner and company have undertaken in recent memory. Which might mean it's actually the most unexpected. The premise of Punching pairs acoustic songs with choral lined-out singing courtesy of the Eau Claire Vocal Sextet. Arranged by Blake Morgan, while these harmonies are rooted in worship, they largely serve a textural purpose here, like a subtle breeze of voices following Wagner's lead. 

From the man himself: In early 2024 I heard a song on the radio on my way to get some gas. Just a minimal single chord strummed banjo and a small group of voices. It seemed perfect in the moment as the moment became perfect in itself ... I wanted to make a record that emulated this kind of music.

Throughout Lambchop's oeuvre, Kurt Wagner's basic songs have remained consistent, wry and eliptical lyrics delivered in his unsteady, dry-as-leaves drawl. On the album's opener, "Just West Of Nicollet", he sings Let the windows stay open / In the wild Mid West / There's things in Minnesota / It's the wildest place that I've found yet. Accompanied by Justin Vernon's banjo and Andrew Broder's guitar, the choral waves rise and fall, wax and wane, cresting briefly only towards the song's close. "Weakened" adds minor studio burbles and manipulation, with Wagner possibly narrating the proceedings: Things had gotten peculiar / The grainy underwater / Singing sounds in his head. 

Punching the Clown doesn't plop us in the pews by any means. This isn't The Gospel According To Lambchop. On the title cut, the chorale answers Wagner's I'm trying not to sound like I'm punching the clown with their own Wait, what the fuck. Nevertheless, there is a curious juxtaposition between the formality of the vocal arrangements and the folky informality of Lambchop's acoustic songs. The pairing is most mutually complimentary on "New World Wave" or "Cigar", pieces that invest the choir with a more active role: I'll meet you at Benton Chapel / Let it all go down / To the holy town / And share a lot of singing. 

While the addition of the Vocal Sextet sets the plot for the project, the theme lies more with Kurt Wagner's voice and Vernon's banjo. For those of us who have followed Lambchop for years across new settings and experiments, Punching the Clown is actually a breath of fresh air, allowing us access once again to Wagner straight, no (or little) chaser. Once again, we're left with the recurring questions of beauty and normalcy. The line-singing is beautiful at times, and we wouldn't be listening if there wasn't a base attraction to Lambchop's outsider folk. Time will no doubt see the collaborators following a new distraction (and we'll be there for it). For today, we're willing to brand Punching the Clown among Lambchop's more successful dalliances, a quietly engaging push-and-pull between minimalism and something more. Like a Kool-Aid smile in a scallop shell / We're cracking up in the kitchen / I'm overweight, you're overwhelmed / But it's good ...

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ROUTES-cast August 23, 2026

ROUTES & BRANCHES

featuring the very best of americana, alt.country and roots music

August 23, 2026

Scott Foley, purveyor of dust

ROUTES-cast August 23, 2026

^ Brennan Wedl, "High Priestess" Brennan Wedl  (Anti, 26)

- Pieta Brown, "Nothin' But Trouble" Dreamin' Of  (Righteous Babe, 26)

- Ken Pomeroy, "Sentimental Lady" Tonight's News EP  (Rounder, 26)

- Brothers Comatose, "High Hoping" single  (Swamp Jam, 26)  D

- Billy Strings, "10,000 Miles From a Friend" So Much For Goodbyes  (Reprise, Aug 28)

- Buddy Miller, "As Long As I Have You" Buddy Miller  (New West, Sep 11)

- Katie Pruitt, "Aftermath" Fools For the Fleeting  (Rounder, Sep 18)

- Lawrence Rothman, "Stable" Here Lies Love/Sawdust To Stardust  (KRO, Sep 25)

- Pony Bradshaw, "Jukebox Oblivion" Ode To Humidity  (Dogs Of the South, 26)

- Ray Wylie Hubbard, "Cassette Mix Tape" Reel 2 Reel 4 Real  (WylieWorld, 26)

- Benjamin Tod, "Waiting For a Train" Country Is Dead  (Tod, Sep 4)  D

- Hollis Brown, "Garage Days" single  (Hollis Brown, 26)  D

- Yawpers, "Company Man" Teething  (DTTW, Sep 4)

- Jared Hart, "Law Of Subtraction" Midnight Motel  (Mt Crushmore, Oct 28)  D

- Small Pond, "Silver Coin" Soft Burn  (Small Pond, Oct 21)  D

- Squirrel Flower, "Cleveland" Say a Prayer To the Gods Of Getting Going  (Polyvinyl, 26)

- OK Cowgirl, "God Made a Farmer" Rhinestone Cowgirl  (Easy Does It, 26)

- Wild Pink, "Still Coming Down" Still Coming Down  (Fire Talk, 26)

- Nicole Atkins, "Trippin' On Teardrops" Drama  (Sun, Sep 17)

- Leon Bridges, "Take It Over" Happiness Anytime  (Columbia, Sep 25)

- Lambchop, "Just West Of Nicollet" Punching the Clown  (Merge, 26)

- Hudson Freeman, "I-40" single  (Mom+Pop, 26)  D

- Big Trouble, "Mel" On Elephant Hill  (Royal Oakie, Sep 18)  D

- Attention Bird Utopia, "Mitzrayim" Mitzrayim EP  (ABU, 26)  D

- Jake Xerxes Fussell, "Boney" The Old Beloved Path  (Fat Possum, Sep 18)

- Ruby Of Thanks, "Shadow" Before You Turn Into a Dog  (Woodsist, Sep 18)

- James Eichman, "If I Talk Loud Enough" St Catherine Street  (Eichman, 26)

- Jude Brothers, "Desire & Devotion" Dogwood Maiden Voyage  (Gar Hole, Sep 25)  D

- Will Hasell, "Spindrift" Roadkill Heart  (Suddenly, 26)  D

- John Prine, "All For the Love Of a Girl" Found Dogs  (Oh Boy, Oct 8)

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To enjoy any Spotify ROUTES-cast, just open Spotify and search for "routesandbranches" to access this most recent playlist, as well as many others from past months.  Or click here for a preview:

WHAT's SO GREAT ABOUT THiS WEEK?!! (August 21, 2026)

ROUTES & BRANCHES

featuring the very best of americana, alt.country and roots music

August 21, 2026

Scott Foley, purveyor of dust

Some weeks there are more interesting singles than there are full album releases. This week flips that equation, with a handful of very good LPs landing on our digital shelves, but not a bunch of tempting singles. Neverthless, we persist, and we've tracked down five (5) neat songs for your Friday festivity, many of them replete with distracting videos. On account of a busy day, we're going to just plop these down here without comment for the moment. We'll add clever notes as/if time permits. We're assuming here you enjoy our pithy asides. Much like Jude Brothers (above) assumes you enjoy harp playing and puppets. 

WHAT's SO GREAT ABOUT THiS WEEK?!!

^ Jude Brothers, "Desire & Devotion"  Dogwood Maiden Voyage  (Gar Hole, Sep 25)

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Jake Xerxes Fussell, "Boney" The Old Beloved Path  (Fat Possum, Sep 18)

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Nicole Atkins, "Trippin' On Teardrops" Drama  (Sun, Sep 17)

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Small Pond, "Silver Coin"  Soft Burn  (Small Pond, Oct 21)

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Squirrel Flower, "Cleveland" Say a Prayer To the Gods Of Getting Going  (Polyvinyl, 26)

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A ROUTES & BRANCHES GUiDE to FEEDiNG YOUR MONSTER (August 20, 2026)

A ROUTES & BRANCHES GUiDE to FEEDiNG YOUR MONSTER

good news about good noise

August 20, 2026

Scott Foley, purveyor of dust

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^ John Ross is Wild Pink. Line Of Best Fit is talking to John Ross on the occasion of the release of Still Coming Down. The sixth Wild Pink record arrives in the wake of a cancer scare, a relocation from Florida to New York, and time on stage with MJ Lenderman. How did you spend your Summer? 

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Here at R&B HQ, we like to extend our musical reach as far as it makes sense (to us). We prefer to draw as few lines as possible in the process, letting music be music. We don't believe in a genre called queer country, even as we acknowledge the importance of diverse voices in each and every genre. That said, Bandcamp Daily has assembled a quick review of artists who represent the queer perspective in our kind of music. Some of these we've included in our weekly Spotify ROUTES-casts, and others not so much. Folks like River Shook and Andrew Sa should be on your radar no matter where you draw your lines. 

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If you're a fan of contemporary country music (or music in general), you owe it to yourself to spend some time with Elizabeth Cook's Great Television. CBS Saturday Sessions took our advise, and uploaded a terrific video of Cook and her band running through "Sunset Promenade". If you're a fan of contemporary country music (or music in general), you owe it to yourself to spend some time with it. 

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Welcome to Westside Cowboy Week. DIY Magazine touches base with the UK act about university freshers week, staying true to the dinky small and rough sound of their early days, and making the choice to record in Leeds instead of NYC. 

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Next week is Mama's Broke Week, celebrating the release of the duo's Reunion LP. KLOF Magazine tracks down Amy Lou Keeler and Lisa Maria in Nova Scotia to explore the origins and inspirations for their original folk music. 

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Against their best efforts, it looks like our beloved Twisted Teens are on the verge of superstardom. Pitchfork reports that the garage punk-blues duo have signed with Sub Pop. Dear Sub Pop, don't change a thing. Love, Routes & Branches. 

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We let last week's release date pass without acknowledging the release of Nina Winder-Lind's Wild Love. A contributor to the New Eves, Winder-Lind's new collection has enchanted and challenged us this week (which is all we ask of music). Under the Radar shared a brief profile of the artist, who dwells in the brambles and thorns of folk music's fringes like we like. 

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Do we need more Kevin Morby content? Let's ponder that as we connect with World Cafe and their live interview and performance. Morby admits his recent Little Wide Open is a love letter to the Midwest. There's somebody for everybody, isn't there. 

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Wanna see a sprawling list of 2026 releases? Spend some time with A Routes & Branches Guide To Feeding Your Monster. Since we last checked, we've added new stuff from artists like Jude Brothers, whose Dogwood Maiden Voyage has received a September 25 release date via the increasingly excellent Gar Hole label. Cameron Winter is the frontguy for Geese, the saviors of all things rock. Live At Carnegie Hall documents a live solo show (at Carnegie Hall), and is expected on October 9 (Partisan). Ask for October 23 off from work to observe the release of a handful of good things. Foot Ox will offer Topanga Canyon, courtesy of Lauren Records. That very day, we're also looking forward to Popfly, a full-length from the impressively productive Michael Nau. Finally, upon the occasion of the surprise release of this week's Ode To Humidity, Pony Bradshaw also shared that he's planning a November 13 appointment for a companion record, Through a Glass Darkly (Dogs Of the South). 

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LOOKBACK MACHiNE: Jason Isbell

ROUTES & BRANCHES

featuring the very best of americana, alt.country and roots music

August 19, 2026

Scott Foley, purveyor of dust

After fooling around in the beloved weeds of our kind of music for the past few weeks, we're going to drag this thing back into the mainstream with our favorite songs from Jason Isbell. 

If we wanted a real challenge we might include the writer's songs during his Drive-By Truckers days. As a solo artist, or as frontman for his 400 Unit, Isbell has penned some of the best work of his generation. It's not hard to argue that both Southeastern and Something More Than Free could be considered among the highlights of the first quarter of the Twenty-First Century. 

Our Thirty Favorites list doesn't include anything from the handful of live collections Isbell has released over the years. Nor do we add anything from 2021's Georgia Blue, a terrific project of covers celebrating the music of the Peach State. And even with those exclusions we're left with surfeit of gems from which to choose. 

Last year's solo acoustic Foxes In the Snow seems to have served as a reset of sorts for Jason Isbell, stepping back from a very successful run of records and tireless touring. But there is no need for reinvention or new directions for a writer of his caliber. 

JASON ISBELL: thirty favorites

- "Brand New Kind Of Actress" Sirens Of the Ditch  (2007)

- "Chicago Promenade" 

- "Dress Blues" 

- "Seven-Mile Island" Jason Isbell & the 400 Unit  (2009)

- "Cigarettes and Wine" 

- "Streetlights" 

- "Alabama Pines" Here We Rest  (2011)

- "Codeine" 

- "Tour Of Duty" 

- "Cover Me Up" Southeastern  (2013)

- "Traveling Alone" 

- "Elephant" 

- "Super 8"

- "If It Takes a Lifetime" Something More Than Free  (2015)

- "24 Frames" 

- "How To Forget" 

- "Children Of Children"

- "The Life You Chose"

- "Something More Than Free"

- "Last Of My Kind" The Nashville Sound  (2017)

- "If We Were Vampires"

- "Hope the High Road"

- "What've I Done To Help" Reunions  (2020)

- "Dreamsicle"

- "Only Children"

- "King Of Oklahoma" Weathervanes  (2023)

- "Cast Iron Skillet" 

- "Bury Me" Foxes In the Snow  (2025)

- "Foxes In the Snow"

- "Wind Behind the Rain"

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To enjoy any Spotify ROUTES-cast, just open Spotify and search for "routesandbranches" to access this most recent playlist, as well as many others from past months.  Or click here for a preview:

IF YOU ONLY LiSTEN to ONE RECORD THiS WEEK (August 18, 2026)

ROUTES & BRANCHES

featuring the very best of americana, alt.country and roots music

August 16, 2026

Scott Foley, purveyor of dust

We're presented with a couple options for this week's breakout review, including an unexpected gem from Pony Bradshaw and an EP marking a big step forward for Hank Heaven. As we've noted, we'll probably loop back around to Bradshaw this Fall. This week's showcase spot belongs to a career-defining collection from a performer who is ready for her roses. 

IF YOU ONLY LiSTEN to ONE RECORD THiS WEEK

After years of dancing around her potential, Elizabeth Cook has landed with Great Television (Agent Love). Never short on talent or songwriting chops, and collaborating with respected producers like Butch Walker and Don Was, the East Nashville artist has earned her reputation on very good projects like 2007's Balls and 2016's fiery Exodus Of Venus. Turns out it was a smart decision to await her turn with Shooter Jennings, who embraces Cook's solid songs with full, contemporary arrangements for the best-sounding record of her career. 

On Great Television, Elizabeth Cook is smartly supported by her touring band, featuring the valuable Andrew Leahey on guitar, as well as bassist Phil Anthony and John Venezia on drums. Past albums have proven her proficiency with all shades of country, from honky-tonk to gospel. Most songs here lean into a country-rock pocket, allowing room for shades of blues and soul. Cook's collaboration with Turnpike Troubadours' Evan Felker, "Razorwire Wall", charges into a Petty-inspired guitar hook as it tells the story of a woman dropping her moonshining husband off for his prison appointment. "Caledonia and the Love Convoy" is another good-natured roadsong, detouring into familiar blues territory. Cook and her outfit even find an original angle covering the Stones' "19th Nervous Breakdown", flipping its perspective and bending it a'la Nancy Sinatra. 

Elizabeth Cook's facecard is her songwriting, particularly her penchant for championing unsung voices from the margins. "Girls Of Atomic City" and "Thiokol Tripwire" build on accounts of women exploited in the workplace, teasing a rousing chorus from the ashes of history. A duet with Wynonna, "Easy Kind" names names like Britney, Courtney, and Whitney to call out outsized expectations and a lack of support for young women in music. Jennings stirs the drama with a choral backing. Where past efforts have found Cook likened to everyone from John Prine to her friend Todd Snider, she defines her own territory on Great Television, clever but never silly, strongly opinionated without being a sassy stereotype. 

The story of Elizabeth Cook (as fictionalized in the new Easy Kind series) tells of a phenomenally talented artist who has become a fixture on the Opry stage but who has yet to achieve her potential. Fact is, Great Television is too good for mainstream success. We've gushed aplenty here about "Sunset Promenade", the LP's opener that sets female friendship to one of the year's best melodies. While "Easy Kind" merits breakout attention in its own right, "Sunset Promenade" deserves to be in the conversation for the song of the year. It's the crowning achievement of a collection that leaves no doubt about the artist's uncommon, even generational talent. 

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