featuring the very best of americana, alt.country and roots music
July 21, 2026
Scott Foley, purveyor of dust
IF YOU ONLY LiSTEN to ONE RECORD THiS WEEK
Waylon Payne's 2020 album served as a comeback following years wandering in the wilderness. The songwriter, musician, and actor had come of age in the family business, as the son of Sammi Smith and Jody Payne. One of our five favorite LPs for the year, Blue Eyes the Harlot the Queer the Pusher & Me eloquently tells Payne's story of addiction, sobriety, redemption, identity, and legacy. The follow-up, Wayward, asks what's next? when the writer has already shared so much.
Payne is a masterful songwriter in the continuing lineage of country music writers. Where Blue Eyes served as a confessional, Wayward returns to simply telling good stories. A tidy bow can't be affixed to a story like Payne's, so new songs like "The Roses" and "Watch Him Die" continue to mine these rich personal narratives. But, by and large, Waylon Payne has brought us a selection of tunes about the struggle 'n strife of everyday life. A cowrite with Pam Tillis, "Looking For a Feeling" addresses our individual search for meaning and drama: We all get high and low / Turning over every stone. The Latin-inflected "Caramelo" tells a tragic Romeo & Juliet lovestory set to horns and rousing percussion.
The new project again pairs Payne with award-winning producer Frank Liddell, celebrated for his work with Miranda Lambert and Lee Ann Womack. Alongside Eric Masse, Liddell provides a bed of classic country and soul not unlike Shelby Lynne's records. Wayward's arrangements are both slightly retro and timeless, supported by a veteran band featuring Matt Chamberlain (drum), Glenn Worf (bass), Jedd Hughes (guitar) and the great Chuck Leavell (keys). On "Looking For a Feeling" and "Holding On To Lonely", Payne and his supporting band cruise through bright-sounding, melodic country rock. The latter, written with Charlie Worsham, challenges us to push against our comfort zones in search of companionship. As a vocalist, Payne recalls Rodney Crowell and Guy Clark, a singer who is capable of showy moments, but who opts for tasteful restraint.
Many of Waylon Payne's best songs follow him into those dramatic, larger-than-life episodes. He relates an especially harrowing dream in "Hell Is Empty", and is haunted by a friend's death on "Watch Him Die": I struggle not to hate myself daily for the way it all went down. Elsewhere, "The Roses" is a masterclass in simplicity of phrasing and arrangement. With its strings and jazz-adjacent bridge, "The Delta" charts a lazy, lilting course into deception: Make believe that you really love me / And tell me so as we walk through the moon. With half of Wayward written solely by Payne, the writer collaborates elsewhere with Ashley Monroe, Miranda Lambert, Matraca Berg, Aaron Raitiere and others.
One of the project's highlights, "Weed By the Wall" demonstrates Payne's abiding patience and unadorned beauty: I am a freight train / Forged out of steel / I am a highway rolling west in the morning / My hands on the wheel / I am a full-grown man / I stand alone / And I sacrifice nothing for the sake of the cause / I am God and nature / I am a weed by the wall. Most impactfully, Waylon Payne ends the song and the album with the simple statement, I am a songwriter. Like his parents before him, Payne is currently touring with Willie Nelson's band, embracing the inheritance that was left him. While the path leading to this moment might have been a genuinely dramatic one, Wayward finds the artist seemingly comfortable in his role as country songwriter.
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