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Sunday, February 23, 2014

February 22, 2014
Scott Foley

Yeah, it's only approaching March, and I don't tend to do this sort of thing on an official level for another 8 or 9 months, but I thought it might be interesting to collect my thoughts on my favorite releases for the first sixth of 2014.  No reason to hold me to these musings, since time will tell which enthusiasms settle and which slow burners might rise to the top.  Nevertheless ...

Last week I heaped my praises atop the new release from Hurray for the Riff Raff, and I'll continue in that general direction today.  Alynda Lee Segarra is one of the most interesting artists in our sort of music.  From another captivating woman, Lydia Loveless' Somewhere Else might boast one of the year's most boring titles, but her collection of acid tongued rockers strikes me as more mature and assured than her 2011 classic.  Laura Cantrell followed up a six year silence (not counting a stellar Kitty Wells tribute record) with a typically satisfying No Way There From Here.

From the crunchier side of the musical shelf, Water Liars didn't take long at all to follow up last year's underappreciated Wyoming.  Their self titled album proved to be another step forward for the rocking Mississippi trio.   Since their '98 debut, the ever evolving Marah have alternated between brilliant and frustrating.  Apparently, it took disappearing into a Pennsylvania Mountain town and updating a hundred year old song collection to put Dave Bielanko back on track.  Far West's 2011 debut seemed promising enough, albeit a derivative slice of SoCal  This year's rocking, tuneful Any Day Now shatters that mold.  A definite statement that deserves consideration for the year's best. 

My lists always balance the familiar with the obscure.  Among the former would be Rosanne Cash's remarkable River & the Thread.  More often than not, repeated listenings to these Big Americana Releases can dull their appeal.  Cash's last couple collections of original songs have escaped this trap.  Likewise, Todd Snider's new sandbox, Hard Working Americans, deserves its place atop the americana radio charts.  Never let the fact that it's a covers album blind you to the energy and punch behind the band's interpretations.  Snider seems temporarily reborn. 

Robert Ellis and Doug Paisley are hardly "from out of nowhere" candidates, though their respective CDs are great examples of established artists who are continuing to develop.  Ellis' Lights From the Chemical Plant has gradually grown on me for its idiosyncratic lyrics and interesting arrangments.  Doug Paisley's Strong Feelings is an understated masterpiece.  Contributions from Garth Hudson and Mary Margaret O'Hara only add to the Canadian's songwriting mystique.  

Parker Millsap's self titled record would qualify as my unexpected pleasure for the year to date.  He manages to balance the storytelling chops of Slaid Cleaves with the edge of an early Jimmy LaFave and some skewed humor by way of John Prine. 

Incidentally, speaking of great things happening in 2014, my host station, KRFC, turns 11 this year.  It's an awkward time for a preteen, but a wonderful age for a radio station.  We'll celebrate the increasingly influential Northern Colorado cultural presence with our Steel Anniversary Birthday Bash on Saturday, March 29  at the Lincoln Center's Canyon West Ballroom.  While we draw from the state's deep pool of talent every year, this year's slate might be our best yet.  Slim Cessna's Auto Club will headline, with Young Ancients opening the show.  Tickets may be greedily consumed here

*  Possessed By Paul James, "Sweet But Bitter Life"  There Will Be Nights ...  (Hillgrass Bluebilly, 13)
*  Tom Vanden Avond, "Meet Me At Weber's Deck"  Wreck of a Fine Man  (Hillgrass Bluebilly, 12)
*  Far West, "Bright Side"  Any Day Now  (Medina River, 14)
*  Hurray For the Riff Raff, "No One Else"  Small Town Heroes  (ATO, 14)
*  Lee Bains III & Glory Fires, "Righteous Ragged Songs"  There is a Bomb In Gilead  (Alive Naturalsound, 12)
*  Parker Millsap, "Truck Stop Gospel"  Parker Millsap  (Okrahoma, 14)
*  Brett Detar, "Tried To Hate the Angels"  Too Free To Live  (Self, 13)
*  Dave & Phil Alvin, "All By Myself"  Common Ground  (Yep Roc, 14)  D
*  Zoe Muth & the Lost High Rollers, "Hard Luck Love"  Zoe Muth & the Lost High Rollers  (Self, 09)
*  Kelly Willis & Bruce Robison, "Parker Valley PTA"  single  (Self, 14)  D
*  Reverend Horton Heat, "Hardscrabble Woman"  Rev  (Victory, 14)
*  Bottle Rockets, "Manhattan Countryside"  Bottle Rockets/Brooklyn Side  (Bloodshot, 14)
^  Slim Cessna's Auto Club, "Viceroy Filter King"  Always Say Please & Thank You  (Alt.Tentacles, 00)  C
*  Amelia White, "Ghetto"  Old Postcard  (White-Wolf, 14)
*  Holly Golightly & the Brokeoffs, "Can't Pretend"  All Her Fault  (Transdreamer, 14)  D
*  Chris Knight, "Love & a .45"  Chris Knight  (MCA, 98)
*  Lydia Loveless, "Verlaine Shot Rimbaud"  Somewhere Else  (Bloodshot, 14)
*  Jamestown Revival, "California (Cast Iron Soul)"  Utah  (INGrooves, 14)
*  Nickel Creek, "Destination"  A Dotted Line  (Nonesuch, 14)  D
*  Chuck Mead, "Devil By Their Side"  Free State Serenade  (Plowboy, 14)  D
*  Sturgill Simpson, "Living the Dream"  Metamodern Sounds In Country Music  (High Top Mt, 14)  D
*  American Aquarium, "Ain't Going To the Bar Tonight"  Dances For the Lonely  (Last Chance, 05)
*  Blake Brown & American Dust Choir, "Life Lines"  We Believers  (Self, 13)  C
*  Jimbo Mathus, "Shine Like a Diamond"  Dark Night of the Soul  (Fat Possum, 14)
*  Pony Boy, "One Man Show"  The Devil In Me  (Odd Man Out, 14)
*  Jon Dee Graham, "Tie a Knot (live)"  Swept Away  (Freedom, 08)
*  Esme Patterson, "Tumbleweed"  Woman to Woman  (Greater Than Collective, 14)  C,D

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